So, I didn't post all last year.
And why post at all, you may ask. Blogs are dead. There are more immediate ways to put your word out…
Well… you’re probably right, whoever you are, yelling at your screen.
Last year was hugely productive and hopefully, if you happen to be reading this in the future, proved to be a big step up and forward for me. Personally I made some rather big changes to my life but the internet isn’t a place to air one’s laundry so lets skip that as it’s not the point of the blog anyway (I know, what ever was the point of this blog?)
It’s 2020 and as history will report we are in the middle of the viral pandemic that is CoVid-19 or Coronavirus. Working from home or at least feigning to work from home, I’m determined to use the time as productively as I can whether it be keeping up with drawing, practicing painting or generally updating software and running some user/life admin tasks.
As this was intended as (and should remain as) a design and film blog from my perspective, I hope to post any pieces I’ve done during this time. I must admit, when starting something like this, you aren’t exactly concerned with whether you will hold yourself to it down the line whether that be a few months or even years later. Being busy as I have been on Fast9 and currently The Batman, it should be said it is hard to muster up the fuel to write some long essay for my own gratification.
But if you start to do something then you’ve at least begun the journey, right?
So what have I done to begin this “stay-at-home” period. I broke out the traditional materials and practiced with some mini painting in a postcard sized book that I had begun way back in a Sept 2018 post. I had since tried 3 other paintings (below) and the fourth is the one I did last night.
Showing posts with label traditional. Show all posts
Showing posts with label traditional. Show all posts
Monday, 23 March 2020
Monday, 10 September 2018
REAL painting .001
So I haven't propery touched the paints since the end of school. So that's about 15 years ago.
Along with my towering levels of admiration/love for Ralph McQuarrie and Syd Mead, I had long wanted to return to the traditional medium to attempt something similar. When Wayne Hagg released his Goauche tutorial, it finally gave me the kick in the butt to give it a go. I have 12 pages of A6 to fill and I may make it my mini project to have done by the end of the year.
Here are pics of my first ever attempt...
This is the final image scanned in. Generally happy but its an awkward reminder of the inexperienced me wanting to go too far with saturation. Hope to make the next one a little more 'earthy' and dulled down.
The small scale is typical of my attempts at traditional media and also not wanting to go so far astray on something over-sized that I feel out of my depth.
Often seen in behind the scene pics of McQuarrie and Meads work; a simple line drawing taped on top so I can keep in mind the original forms as I paint over the sketch.
Always prefer a toned base colour. Get rid of that nasty white paper :)
Working back to front so I can worry less about overspill
Nearly there. A contrasting vehicle for a focal point...
Along with my towering levels of admiration/love for Ralph McQuarrie and Syd Mead, I had long wanted to return to the traditional medium to attempt something similar. When Wayne Hagg released his Goauche tutorial, it finally gave me the kick in the butt to give it a go. I have 12 pages of A6 to fill and I may make it my mini project to have done by the end of the year.
Here are pics of my first ever attempt...
This is the final image scanned in. Generally happy but its an awkward reminder of the inexperienced me wanting to go too far with saturation. Hope to make the next one a little more 'earthy' and dulled down.
The small scale is typical of my attempts at traditional media and also not wanting to go so far astray on something over-sized that I feel out of my depth.
Often seen in behind the scene pics of McQuarrie and Meads work; a simple line drawing taped on top so I can keep in mind the original forms as I paint over the sketch.
Always prefer a toned base colour. Get rid of that nasty white paper :)
Working back to front so I can worry less about overspill
Nearly there. A contrasting vehicle for a focal point...
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